March 2007


 

 

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March  2007

 

The Prince of Darkness

 

Vultures over Zambia

 

Ibis Gardens and the Chisamba Meander

 

Complete Conferencing

 

Unmasking the Masks

 

The Dance of Drunkards

 

 

Regulars

 

Wot's Happening

 

Other Events

 

Choma Chat

 

The Gecko

 

This Zambian Town

 

Something Fishy

 

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Unmasking the Masks

In the appreciation of the arts, it is the rare that is sought after, because the obvious can be trite, and a trifle dull. The obvious is base, it is sensual and neither gores the intellect or spirit into action. This can be said of the average (not all) art gallery in Zambia, they are obvious : exhibiting the usual sculptures and paintings.

But this is about to change with an exhibition which Kachere Art Village is about to run come 24 March.

Kachere has gone for the rare and the rarity will be seen when this gallery, housed at Munda Wanga, reveals its new exhibit : Masks alongside paintings and sculptures.

Many art lovers will not recall the last time they went to an exhibition which had Masks on display. The common run of the mill galleries has never given this genre of art their time.

But Kachere whose basic pre-occupation is the promotion of culture realizes that Masks are not only an art form, for some societies in Zambia. The Mask for such societies, is a way of life.

Masks are major players at rituals, tribal initiations and various celebrations. Take the Nyau dancers of the Chewa people in Eastern Zambia or Gule Wamukulu as it is known. These dancers wear masks as a symbol of belonging to a secret party within their society. Gule Wamukulu which is performed after the harvest, but it goes into initiation ceremonies, weddings, funerals and the installation or the death of a chief. Depending on the occasion, the Nyau dancers will wear Masks accordingly.

The Masks are not only for the Chewa. In North/Western Province, the Makishi Mask is symbolic of the culture and tradition there. As amongst the Chewa the Mask is significant with various rituals, including initiations. The Makishi is also a major tourist attraction.

The Kachere exhibition is primarily aimed at tracing the roots of African tribal masks, though its main thrust will be on Zambia.

Masking has for many centuries played a major role and is accompanied by prayer, music, song and dance in Africa but elsewhere the reasons for masks are different. Masks have been used since antiquity for ceremonial, aesthetic, and other practical purposes.

The word mask cames from the French, Masque and either Italian, Maschera or Spanish Mascara. Possible ancestors are Latin (not classical) mascus, masca  "ghost", and Arabic Masharah.

Masks have been, and are still used in fashion as part of the costume. Many musicians, especially from the heavy metal genre, don masks or heavy makeup on stage or promotional pictures for theatrical effect. Examples include Kiss, Mayhem, Slipknot. Lordi, Gwar, Gorgoroth and Death in June. Masks are also worn by wrestlers, especially among Mexican and Japanese fighters.

But whatever the reason, Masks remain popular.

The oldest recorded known mask is about 5000 years old and was found in Iraq. This is the Mask of Warka and has seen many adventures.  After the American invasion of 2003 in Iraq, looters took advantage of the Iraqi government's collapse to steal priceless antiquities from the Iraq Museum. Artifacts, representing some of mankind's earliest attempts at building a civilisation, disappeared into the shadowy world of the international black market for art. ‘Thieves of Bagdad’ a book by, Matthew Bogdanos a Marine colonel and a New York City prosecutor, makes interesting reading of this true account of the events in Iraq then.

There is a whole history to Masks, because every continent has its own cultural and traditional contribution to these, our own creations. And this exhibition will be celebrating African masks.  Mark the date in your diary : 24 March at Munda Wanga